It's a Sad and Beautiful World

My name is Jon. 23 Years Old. Film Student. Film Maker. Living in Brooklyn. People call me different things. No alcohol or drugs here. Sometimes I talk to myself.

tushlife:

cross-country three-dimensional video-conferencing with lungsandliversandthings , lainnn , and outlawsamurai

tushlife:

cross-country three-dimensional video-conferencing with lungsandliversandthings , lainnn , and outlawsamurai

verysherry:

Jeff Goldblum attends ‘The Grand Budapest Hotel' premiere at Alice Tully Hall in NYC on February 26, 2014

verysherry:

Jeff Goldblum attends ‘The Grand Budapest Hotel' premiere at Alice Tully Hall in NYC on February 26, 2014

(via cinecat)

haroldlloyds:

Happy Birthday Harold Clayton Lloyd, Sr. 
April 20, 1893 - March 8, 1971

"Harold Lloyd was one of the most charismatic innovators of film comedy, an excellent actor, and a consummate filmmaker." - Jack Lemmon

Harold Lloyd was, and remains, one of the most iconic figures in film history. His films influenced genres, styles and techniques that are still very much alive today. His comedic genius and timing redefined the genre of film comedy, and gave life to many sub-genres including the romantic comedy, the college comedy and the football movie. Character minded, and technically adept, his films were filled with joy, heartbreak, action, social comment, stunts and most of all the roaring spirit of the 1920s. They are still as endearing and hilarious today as they were when they came out, over 80 years ago. Lloyd was truly a genius, operating at the same level as his contemporaries, Chaplin and Keaton, and offered an alternative to the ‘grotesque’ comedy character. Lloyd’s Glass character was the boy-next-door, the average american go-getter, a character so normal that anyone could identify with him. He was The Boy. 

Lloyd’s legacy has been criminally underrepresented in the annals of film history, and it’s about time he made a return to public consciousness. He was so much more than a pair of glasses. He was the living embodiment of the spirit of 1920s America, and truly a master of cinema. 

(via haroldlloyds)

2014 Academy Awards, Best Cinematography Category: The Grandmaster (dir. Wong Kar Wai)

(Source: prettycinema, via cinematicfantastic)

collections that are raw as fuck zuhair murad pre-fall 2014

(via lainnn)

Tilda Swinton as ‘Eve’ in Only Lovers Left Alive

(Source: early-sunsets, via naokosattomi)

The saddest part is that EVERY girl regardless of race, sexual orientation, body type, disability, health, age or any other difference between us says phrases such as:
- I actually look pretty today.
- I like my body today.
- I kinda look okay today.
- My face looks terrible but I like my outfit!
And the sad part of this is that we are all shocked when we think we look good. Because WE ARE ALL made to feel bad about ourselves.
We are all taught that there is something wrong with our bodies so do not love them.
Do not love yourself.
And certainly don’t love other girls for having features that are unique to them.

This is not okay.
This is not okay.

How long until we all stand together?
How long until we decide for ourselves that we are worthy of self love?

arvidabystrom:

me by me with some maja assistance

arvidabystrom:

me by me with some maja assistance

(via mollymorganpresley)

robbiesmargot:

Dallas Buyers Club (2013) - Dir. Jean-Marc Vallée

Sometimes I feel like I’m fighting for a life I ain’t got time to live. I want it to mean something.

(via tyronespower)

He’s a very dangerous boy.

(Source: crazystupidgosling)

areyoushoree:

vespertinavi:

My favorite Stephen Gammell illustrations from ‘Scary Stories to Tell in the Dark’.

CHILL this book was my shit

(via areyoudeadorareyousleeping)

Jessica Chastain in Grazia Magazine, March 2014

(Source: lois-lanes, via lovely-chastain)